Entries from November 2004

Tuesday, November 30th, 2004

Subway Photo Ban

I thought they abandoned this idea. Apparently not:

Transit officials are moving ahead with a planned ban on taking pictures, filming and videotaping in the subway system - saying it’s a necessary security measure in the post-9/11 world.

The proposed rule was published without fanfare last week in the State Register. The 45-day comment period in which people can voice their opinions by writing, E-mailing or calling the Transit Authority ends Jan. 10.

When the plan was first outlined, in May, it was roundly blasted as excessive by subway riders, transit advocates, civil libertarians and even Mayor Bloomberg.

Authorities considered a less expansive ban that would cover only sensitive locations, such as dispatchers’ towers and equipment rooms, and would allow tourists and subway buffs to continue taking photos in trains and stations.

But it was ultimately rejected.

“In this time of heightened security, we don’t want individuals documenting anything that could be used to harm riders,” TA spokesman Charles Seaton said yesterday.

The Metropolitan Transportation Authority board must approve the proposal. Violators would face fines of $25.

Train buff David-Paul Gerber, 36, of Brooklyn railed against the possible crackdown.

“Photographers are not terrorists,” Gerber said. “We are hobbyists. This tramples on the constitutional rights and freedoms of every New Yorker and every American.”

I guess they had to wait until after those cool 100th Anniversary Vintage Train Rides.

These guys are pissed. And these guys will be pissed, too, once they update their website.

We at the Bridge and Tunnel Club are qualified subway enthusiasts, but we have to grant that the “hobbyist” argument given above isn’t all that compelling. The Straphangers have a better argument, though — the watchdog group notes that “there are important values in having photographers document life and conditions on the subways and buses.”

Monday, November 29th, 2004

New York’s Psyche, Revealed by Metropolitan Diary

Some days, the Times’ Metropolitan Diary feature nails too well the psyche of New York City. This week is a perfect example.

First, the righteousness of liberal guilt:

It was a weekday afternoon. I was on a downtown E train absorbed in my newspaper. The door from the preceding car opened and a bespectacled man entered.

“Thank you, ladies and gentlemen!” he shouted and, as if reading my mind, added: “I am not here today to ask you for money. I am here to thank you for what you have already been kind enough to give me over the past few months. Your money has allowed me to get these special glasses that I am now wearing. I am still legally blind, but now I can read. This is what has allowed me to get a job. A job! So I thank you! I thank all of you!”

He went into the next car, and I could see him addressing those riders, too. I couldn’t remember encountering him before this, and I certainly didn’t remember giving him any money. But I certainly would like to have done so.

Next, the myth that everyone in the City is cultured and talented:

I was thrilled when a pianist friend of mine offered to sublet his fantastic apartment to me on a delightful West Village street brimming with performing artists. As he showed me around, he told me that during my stay I should feel free to use his piano, day or night.

“Don’t the neighbors complain about the volume?” I asked.

“Oh, no,” he replied. “Though they do complain about tempos.”

Obligatory Corned Beef:

Scene: Delicatessen on Houston Street, crowded at lunch on a recent Sunday, paramedics wheeling out a stricken gray-haired man.

His not-visibly-distraught wife, bringing up the rear, paused at the door, turned to the crowd lined at the cashier, and called out, “It wasn’t the corned beef sandwich!”

Yearning for The Way We Were (otherwise known as Creeping Salingerism):

To help pay my way through Brooklyn College in the 40’s, I had a series of part-time jobs - library clerk, doctor’s receptionist, temple secretary, baby sitter. In all my three and a half years at school, there was only job at which I lasted less than a week.

Most of this work came through the college placement office, and one such referral landed me at Lady Hilda Frocks, One Flight Up.

My first three days as a sales trainee, I found bald, mustachioed Mr. D. all right as bosses go. But on the fourth day, he had a brainstorm.

Apparently the dress display in the window was not enough to entice customers up the long staircase. Mr. D. knew he had to move the merchandise one way or another.

“Shirley,” he said, “I want you should go in the dressing room and put on this number.”

I was a trim Size 10 back then and had no trouble slipping into the fitted and peplumed garment. What a subtle way to feature his wares, I thought. But Mr. D. didn’t deal in subtleties.

“Now climb up to the window I just emptied, and walk slowly back and forth.”

Did you ever watch a model sashaying up and down the runway? Well, now picture the opposite. I slunk along hoping that no one would notice me. When a couple down below pointed up and a small crowd began to form, I caved.

“I can’t do this,” I told my boss.

“Well, you have to, if you want this job,” he said.

So I quit.

Today I think modeling dresses in a window might be kind of fun. But not only has my self-consciousness vanished; so have the offers.

The Red State-Blue State Divide and the Righteousness of the Blue:

On a recent rainy morning in Central Park’s Conservatory Garden, a large group of touring Midwesterners stopped, fascinated by the horticultural activity. Under the direction of the curator, Diane Schaub, volunteers and park employees, many of them protected by bright yellow slickers, were tearing out the annual plants in preparation for bulb planting.

One of the visitors cautiously approached Ms. Schaub.

“Are you in charge here?” she asked.

“Yes, I am.”

“Well, it’s a beautiful garden, but don’t you have any help?”

“Yes, indeed I do,” Ms. Schaub said, gesturing roundly at the volunteers, including one or two grandes dames, authors of books on gardening, retired schoolteachers, Army brass, Broadway veterans - the usual New York mix of volunteers.

The woman came a bit closer, and asked in a hushed tone, “Are they inmates?”

As Ms. Schaub hesitated, for once at a loss for words, the woman added, “They’re what we use in the gardens in our state.”

Straight-Up Class War (Now!):

On a recent beautiful Sunday afternoon, Susan Futter was in East Hampton and found herself walking next to a woman and her daughter (about 4), and overheard the following conversation:

Little Girl (spotting her father across the street): “Daddy! We’re over here!”

Mother: “Honey, please use your ‘inside’ voice.”

Little girl (confused): “But Mommy, we’re outside.”

Mother: “That’s right, honey. But when we’re in East Hampton we have to use our inside voices, even when we’re outside.”

And last, but not least, The Everpresent Threat of Crime:

The Friday night was rainy and cold, and I had had a very long day. I was eager to reach my apartment and leave the long work week behind.

As I trudged down West 43rd Street, I saw the headlights of a double-parked police car through the fog. Suddenly, the officer’s voice crackled over his loudspeaker: “A knife! A knife!”

I looked around. I was alone on the deserted street. Surely an assailant was lurking in the shadows, ready to strike. My pace quickened as I approached the nearest shop, the Little Pie Company. At the entrance I could see another police officer, most likely trying to stop a robbery in progress. Oh my God, I thought to myself, I’m about to be taken hostage at knifepoint!

Again, I heard the officer in the car use his loudspeaker: “A knife! A knife! Get a knife, too!”

I hope they enjoyed their pie.

Friday, November 26th, 2004

2004 Macy’s Thanksgiving Day Parade

Yesterday was the 2004 Macy’s Thanksgiving Day Parade, which we viewed from the tenth floor of Five Times Square.

The Times surveyed the scene from the street:

Soft mud squashed underfoot, idle breezes wafted into open windows, and an estimated 2.5 million spectators who lined up along Central Park West and Broadway basked in a 64-degree morning that felt more like early May than late November.

After all the hand-wringing that wind gusts might ground the giant, helium-inflated balloons, the parade turned into one of the most placid and postcard-perfect in years.

More of the postcard:

As usual, the Technicolor convoy began creeping through the Upper West Side around 9 a.m. and reached Herald Square around noon. It was led this year by a helmet-wearing Super Grover, the impish Sesame Street character.

Barbie characters sang, and Broadway actors plugged their musicals. Rock-faced marching-band leaders high-stepped by. Celebrities waved. Dancers grinned. Children in the Dakota apartment building pressed against the windows to get a better look.

Even more postcard:

Strangers took photos of one another, posed in front of giant floating turkeys. Kids played catch in the street, families planned afternoon football games, and a homeless man on 72nd Street sipped from a large Starbucks cup.

And last but certainly not least, the signature Times sociological longview:

The parade’s patriotic tone in the years after 9/11 had been subsumed by exultant commercialism.

The parade’s 59 balloons included M&M’s candies characters, Ronald McDonald and the game icon Mr. Monopoly. As they floated past, children waved and called out “SpongeBob!” and “Pikachu!” to get the balloons’ attention.

When less-commercial floats and generic turkey and elf balloons passed by, the crowds applauded politely, like parents at a mediocre piano recital.

In all, a day to remember!

Oh, and about that Pikachu thing:

Pikachu, Macy's Thanksgiving Day Parade, November 25, 2004

Wednesday, November 24th, 2004

Amtrak Julie

Before you make your way to Penn Station this afternoon to board Amtrak trains to points either north or south, learn more about Julie, the automated Amtrak voice:

Amid long lines and frayed nerves typical during the long Thanksgiving holiday weekend, roughly 600,000 rail travelers nationwide will squeeze on and off trains, with one-third passing through Pennsylvania Station.

Through it all Julie will remain unshakably courteous and tirelessly chipper.

Julie is the computerized “voice of Amtrak” who helps callers navigate the railroad’s electronic answering system. But Julie is more than just an automated ticket agent. She offers a sympathetic ear and reassuring guidance. And during what is Amtrak’s busiest time of year, she goes a long way in helping the railroad quell the impatient masses.

With her spunky personality, Julie is also a trendsetter among a new breed of customer service software programs meant to be a kinder and gentler replacement to the touch-tone mazes that for years left callers aimlessly pressing “one” for this or “two” for that.

“Hi, this is Amtrak. I’m Julie,” she says in a perky tone . “O.K., let’s get started.” She is casual: “You’ll want a pen and paper handy.” She is exacting: “I think you said you want a 5 o’clock Acela to New York, am I right?” She is reassuring, interjecting “Got it!” after each of the caller’s answers. Occasionally, she is even apologetic: “I’m sorry, I didn’t get that.”

But who is this Julie?

. . . Julie’s affable telephone persona would not be possible without a real live Julie. And, in this case, it is Julie Stinneford, 41, who provides the voice for Amtrak’s answering system.

Ms. Stinneford did not come by her role by accident. She is a professional voice talent, as they are known in the business, and was chosen by Amtrak after it listened to her demonstration tape and those of other people who applied for the part.

Ms. Stinneford said that her two adolescent sons, 11 and 6, were unimpressed with the popularity being Amtrak’s voice had brought her. “They would rather an action hero,” said Ms Stinneford, who lives near Boston.

But friends who know of her role for Amtrak often pester her to recite Julie’s lines. “It’s weird,” said Ms. Stinneford, who said she could not disclose how much she was paid by Amtrak. “But they seem to really like the idea that a computer would say: ‘O.K., let’s get started’ and ‘got it’.”

Julie is one of many “memorable personas” within automated phone systems. The Times piece notes that some companies have taken the concept even further, “opening a new frontier in branding”:

In 2002, Yahoo hired Nuance Communications, a software company in California, to design a convincing and attractive computerized persona who would read e-mail messages over the phone to customers who use Yahoo for their e-mail. The result: Jenni McDermott, who came with a photo and a four-page biography describing how she graduated from Berkeley in 2001 with an art history degree, was unable to find work in a gallery and so settled for a job as a bartender at a local cafe.

“The bio was so detailed that I felt like I knew her personally,” said Deborah Ben-Eliezer, 35, a voice talent from San Francisco who is the voice for Jenni. “Mostly, we just focused on making Jenni the type of girl that sets people at ease and the type of person that a stranger would want to walk up and meet.”

What that meant was upbeat tone, peppy cadence, impeccable diction, informal quips like “Got it!” and “cool” and a sprinkling of flattery: “Wow, you’re popular!” she says to callers with crowded in boxes.

Some computer personas turn out to be less popular, Mr. Balentine said. Sprint PCS, for example, designed a persona named Claire who “ended up being very nice but entirely incompetent,” Mr. Balentine said. Claire could not recover when callers mispronounced words, he said, and she was unable to sift out background noises.

“Too many companies make the mistake of thinking that if they design an attractive guide, they don’t need to design a navigable maze,” he said, adding that Sprint no longer used Claire. Sprint did not return or respond to several calls and e-mail messages seeking comment about Claire.

Finally, there’s also the challenge of picking the correct gender:

Setting the right tone for computer personas can also be a challenge. Mercedes-Benz had to change the on-board software in some of its cars after male customers complained that they did not like taking driving directions from a female voice.

Bonus point: Jessica Ettinger’s Sunday Styles wedding notice

Tuesday, November 23rd, 2004

Class War. Now.

The Post reports on FAO Schwarz’s new $50,000 toy:

For the kid who’s got everything — and is in a hurry to get ahead — FAO Schwarz has the perfect gift: a $50,000 miniature Ferrari. Forget the batteries. This two-seat roadster — in candy-apple red, of course — is powered by real gasoline, has leather seats, a detachable roof and a working dashboard, and can go 15 mph. Perfect for cruising to kindergarten or impressing that special playmate.

This comes in the midst of news of FAO Schwarz’s triumphal return:

Legendary toy retailer FAO Schwarz will reopen its landmark Manhattan store on Thanksgiving Day, just in time for the holidays.

The 65,000-square-foot store at Fifth Avenue and 58th Street has been shuttered since January, soon after the investment firm D.E. Shaw bought the then-bankrupt FAO.

In the ensuing months, the store was gutted and completely renovated at an undisclosed cost.

Gone are some FAO icons like the Clock Tower and Robot Elevator.

What was once a labyrinth of crowded, somewhat claustrophobic rooms have been opened into a grand hall capped by a 30-foot ceiling fitted with 20,000 computerized lights.

Also new are floor-to-ceiling windows.

Apparently the toy retailer has undergone a Donald Trump-like rebrand:

After taking a beating last year from discount stores that sharply reduced prices on popular holiday toys, FAO has focused on exclusive products, Jerry Welch, the retailer’s chief executive, said yesterday.

“What you have in here,” Welch said — gesturing to a $50,000 gas-powered Ferrari and a life-size replica of the giant keyboard used in the movie “Big” that sells for $150,000 — “you won’t find at the discounters.”

Not every item is meant to break the bank. There’s a one-of-a-kind Hot Wheels Factory, where for $20, kids can design their own miniature car.

For $40, girls can create their own Madame Alexander Doll, choosing the skin tone, hair and eye color, a service available only at FAO’s New York and Las Vegas stores.

Many portions of the store are more traditional, including a huge display of plush toys offering items that range from a $7.99 teddy bear to a $15,000 life-size elephant.

Aspiring fashion designers can submit drawings, and for $800 an FAO couturier will construct the outfit.

Bonus Point — pathetic FAO leftovers from last January:

Leftovers at FAO Schwarz's Going Out of Business Sale, Fifth Avenue Store, January 2004

Tuesday, November 23rd, 2004

A Generous Gesture Bound to Look Good on Videotape

U2 played a surprise concert yesterday at Fulton Ferry State Park, next to the Brooklyn Bridge. Don’t miss Jon Pareles’ bemused reporting in the Times article, “Word of a Free Concert, Next to an Oft-Sold Bridge, Spreads Quickly”:

U2 played a not-so-secret free concert yesterday afternoon at Empire-Fulton Ferry State Park on the bank of the East River in Brooklyn. For slightly more than an hour, with the Brooklyn Bridge overhead and the lights of downtown Manhattan as a backdrop, the band played songs from its new album, “How to Dismantle an Atomic Bomb,” and a few older songs to thousands of well-behaved fans ready to shout “Yeah!” or clap along at any cue from Bono.

The concert was the culmination of a well-orchestrated video shoot that doubled as a publicity stunt for the Irish band. Through the afternoon, the four members of U2 were set up on the back of a flatbed truck. They were plugged in and performing the band’s next single, “All Because of You” as the truck’s route wound downtown from the Upper West Side, trailed by a helicopter for aerial shots.

. . .

The concert will be telecast by MTV on Dec. 8. But Bono played to the local audience, adding references to Brooklyn to some lyrics. “Why does this feel like a hometown concert?” he asked, to cheers. For an encore, U2 played a triumphal second take of “Vertigo.” As one lyric went “All of this can be yours,” Bono turned to the skyline, then changed it for the occasion: “All of this is yours,” he proclaimed with a grin. Like the concert itself, it was a generous gesture that is bound to look good on videotape.

(Note to self: remember phrase “a generous gesture that is bound to look good on videotape” for future use!)

Bonus point: Overheard in New York’s “Something Bloody Something”.

Monday, November 22nd, 2004

Foot Culture

Page Six reports that Nicholas Cage has purchased an apartment in Manhattan with the intention of becoming a full-fledged part-time New Yorker:

Cage fans will soon be seeing a lot more of the Oscar-winning actor, who apparently likes to walk. “I’ve actually acquired an apartment in Manhattan and I intend to be a New Yorker part-time,” says Cage, who graces the cover of Gotham magazine’s fifth anniversary issue. “I love the foot culture in New York.”

Which of course begs the question (for me at least): What constitutes “foot culture?”

And in case you think this was some one-off Bushian flub, know that Cage has never been shy about his penchant for foot culture. For example, the Cage by Page website has him expanding on the Big Apple’s alleged foot culture:

The idea of a foot culture, that you are going to observe more people, to me is food, you know, for acting.

I don’t think he means to say “pedestrian culture,” which evokes something different, but perhaps he means “walking culture,” or “pedestrian lifestyle”? At least I think that’s what he’s talking about, but I suppose you never know . . .

Monday, November 22nd, 2004

The Inexorable Slide into the Abyss of Elitism

Actually, these people are already there:

Say it ain’t SoHo.

A branch of the Sheraton hotel chain is coming to the trendy area South of Houston Street, and some of its residents aren’t happy.

The company has just broken ground at 66 Charlton St. to build the 20-story, 150-room, moderately priced Four Points by Sheraton SoHo Village, slated to open in 2006.

“What’s next, a Motel 6?” asked Jeremiah Immer, who’s lived in the once-gritty artist colony for 18 years. “It shouldn’t be too much longer until SoHo gets a mall.”

Restaurateur Keith McNally, whose celeb-studded Balthazar eatery helped usher in the “SoHo Chic” era in 1997, calls any chain opening below Houston Street “a depressing example of the suburbanization of downtown Manhattan.”

Friday, November 19th, 2004

Things I’d Prefer Not to Know About

Things I’d prefer not to know about include the idea that the mob still exists:

From the city’s diners to the fanciest restaurants, from toy stores to department stores, the mob took its cut, according to evidence emerging in the trial of alleged Gambino boss Peter Gotti.

Yesterday, mob turncoat Anthony Rotondo testified that a JC Penney store and a Toys “R” Us on Staten Island were built with nonunion labor organized by the mob.

In the next few days, another organized crime canary, Michael (Mikey Scars) DiLeonardo, is expected to tell jurors the owners of the swank Rainbow Room even enlisted the mob to make a labor dispute go away.

The expected allegation by DiLeonardo, first reported in the New York Sun, was vehemently denied by Giuseppe Cipriani, whose family owns the landmark restaurant atop Rockefeller Center.

“I think they got the information wrong,” he said.

And it’s not just the Rainbow Room:

If the Rainbow Room’s owners did pay the mob off, they were far from alone, according to testimony already heard at the trial.

Catering halls across the city were under the thumb of the Gambino crime family, according to testimony from Rotondo, a former DeCavalcante family capo.

In Brooklyn, it was the El Caribe, and in Queens it was Russo’s on the Bay, he said.

“We were told Russo’s on the Bay was with the Gambinos,” Rotondo testified, telling the jury he attended the 1988 wedding of Peter Gotti’s daughter there. “They kicked up money to the Gambino family.”

It just begs the question: Who has Balthazar? Who has Le Cirque? Who has Teany? And where does it end? Sripraphai? 5 Stars Punjabi? The Tibetan Yak!?

Like I said, some things I don’t want to know about.

Friday, November 19th, 2004

Ripped from the Headlines

The Daily News reports that the (not) subject of Wednesday’s Law & Order is threatening to sue the show:

Guardian Angel leader and radio host Curtis Sliwa, infuriated by the portrayal of a Sliwa-inspired character on “Law & Order,” said yesterday he may sue the popular NBC show.

Sliwa’s character was played by Jose Zuniga as a hypocritical, philandering, self-righteous, publicity-seeking phony who sacrifices his principles for the lure of a satellite radio show.

“As Seinfeld used to say, I was ‘bizarro’d',” Sliwa groused yesterday. “This was a world where everything up was down. My character was so despicable that he deserved to get shot.”

The “Law & Order” episode used as its springboard the shooting of Sliwa in 1992, allegedly on the orders of mob heir John A. (Junior) Gotti.

At the end of the show, the Sliwa character declined to identify his assailants from the witness stand, seduced by the payoff of the satellite radio show.

“That was the worst part,” said Sliwa. “Twelve years I’ve been waiting to get on the stand and finger those guys. That will be a highlight of my life.”

After Sliwa was shot, there were rumors he arranged it to cover up an affair.

While recent real-life government disclosures have since pinned the hit on Gotti, the TV show ran with the affair angle.

Sliwa panned the show in an interview with the Daily News after watching the episode Wednesday night.

He lashed out again on his WABC radio show yesterday morning.

“The whole show was a massive disinformation effort by ['Law & Order' executive producer] Dick Wolf,” said Sliwa.

Sliwa said he will consult “a phalanx of legal beagles and see what’s possible. This is a very popular show. It could follow me for a long time.”

If he does sue, he can take a number. Brooklyn lawyer Ravi Batra just filed a $15 million defamation suit against “Law & Order,” saying it portrayed a character based on him as corrupt.

A spokeswoman for the program said yesterday, “‘Law & Order’ is fiction. It’s not anybody’s life story.”

A “phalanx of legal beagles”? Now there’s an image . . .

Thursday, November 18th, 2004

Public Service Announcement

As we begin the inexorable descent into the dark, glum chill of winter, remember that there’s always Florida.

Sunset, Longboat Key, Florida

Wednesday, November 17th, 2004

NYC 2012

New York’s proposal to host the 2012 Olympics is moving forward. The Times reviews the preliminary plans in advance of the final decision in June, 2005 and supplies some details:

Iconic oldies would make new stages for some Olympic events. The triathlon would fill Central Park - swim the reservoir, bicycle four laps on the road, run a double lap on outer footpaths. Olympians would play baseball at Yankee Stadium in the Bronx, basketball at Madison Square Garden in Manhattan, football at Giants Stadium in the Meadowlands, and tennis at the home of the United States Open in Queens.

Handball would go to Nassau Coliseum, field hockey to Columbia University’s Baker Field. Pentathlon and shooting would be staged, on different days, at Pelham Bay Park, now a lead-contaminated brownfield and police shooting range.

A new waterfront park on a 35-acre industrial site in Williamsburg, Brooklyn, would feature an aquatics center for swimming, diving, synchronized swimming and water polo, and a beach volleyball arena with seating for 14,000 and a view across the river to the Empire State Building.

Soccer matches would be held in stadiums in Boston, Philadelphia and Washington before the men’s finals in at Giants Stadium.

. . .

After the games, the committee said, New York would be left with new world-class sites for sporting events. These include rowing, canoe and kayak courses, seating 25,000 on a dredged, purified, man-made, 168-acre lake in a 1,255-acre Olympic Park in Queens [I think this means Flushing Meadows]; a new park for equestrian events built over Fresh Kills, formerly the nation’s largest landfill, on Staten Island, seating 32,000; a cycling velodrome in the Bronx velodrome that could seat 5,600; and an archery range at Flushing Meadows Park, seating 5,000.

Bonus points: NYC2012 Website.

See also, Olympic Village Site, Hunters Point, Queens:

Olympic Village Site, Hunters Point, Queens

Tuesday, November 16th, 2004

Got to Got to Bleed Baby

A poorman’s Pat Tillman, former Van Halen frontman David Lee Roth reportedly is training in New York to become an EMT:

Roth, 50, has been riding for several weeks with a New York ambulance crew in training to become a paramedic, The New York Post reported Tuesday.

“I have been on over 200 individual rides now,” said Roth. “Not once has anyone recognized me, which is perfect for me.”

The singer, who spent a decade with Van Halen before embarking on a solo career, except a collaboration with the band for two new songs on a greatest hits album, has been riding along with crews in the Bronx, Manhattan and Brooklyn several nights a week.

His training seems to be going well.

Several weeks ago, Roth saved the life of a heart attack victim in the Bronx by using a defibrillator.

He takes his work so seriously that he did not want publicity so that it would not “diminish what I am trying to do here.” He has said that he did not want the neighborhoods he was working in named so that he would not draw attention to himself or co-workers.

“You would never know you were dealing with a rock-’n'-roll guy,” said Linda Reissman, Roth’s EMS consultant and tutor. “His commitment really is touching. He wants to help people.”

[Post title borrowed from 1978's "Ain't Talkin' 'Bout Love"]

Wednesday, November 10th, 2004

“Boston Still Sucks”

Just in case you were wondering how New York is responding to that Red Sox upset:

S61 Bus, Staten Island, November 6, 2004

Wednesday, November 10th, 2004

A Barbie’s House

We saw Thomas Ostermeier’s version of Ibsen’s “A Doll’s House” (in German!) last night. It’s part of the Brooklyn Academy of Music’s Next Wave Festival.

We were sort of surprised that they changed the play so much (thus the “Barbie House” reference above) until we saw this Times article about the show, which explains that everyone changes the ending:

. . . [T]here was Hans Neuenfels’s 1972 “Doll’s House” in Stuttgart, in which Nora climbed back into the house through a window after her triumphal exit. In Rudolf Noelte’s 1976 production in Berlin, Torvald was reduced to a drunken weakling who wasn’t worth the trouble of leaving. In 1990 a young and unknown East German named Leander Haussmann became an overnight star with a “Doll’s House” from Weimar that ended with a comically gymnastic fight between Nora and Torvald, replete with swinging kicks from a chandelier, after which the 19th-century period set revolved to reveal modern homeless people shivering in the cold. In Karin Henkel’s 1997 production in Vienna, the couple shut themselves out of the house together at the end, continuing their marital spat beyond the slammed door. And in Stefan Kimmig’s 2003 Hamburg production, no less modernized than Mr. Ostermeier’s, Nora didn’t leave home at all but rather climbed onto her roof balcony to chain-smoke.

Who knew?

As noted above, Berlin Schaubühne am Lehniner Platz production is “modernized,” which means that there is really crazy loud techno music and EVERYBODY SCREAMS A LOT. Oh, and the male characters can’t stop sticking their hands up Nora’s skirt. And — shocking! — Dr. Rank also loves men! (Instead of dying of syphilis, he’s suffering from what is probably AIDS.)

Beware that which is “crazy” or “outre,” for it is difficult to pull off. (In case you were wondering, Ivo van Hove’s version of Hedda Gabler at the New York Theatre Workshop was much better.)

Monday, November 8th, 2004

Nice Day to Watch

Yesterday was the annual New York City Marathon. Beautiful weather. Fun to watch the runners. I can’t believe I would ever be able to do such a thing in my lifetime, so these pictures will have to suffice. (I cheered them on, which felt participatory enough — to that point, WNBC TV interviewed a woman from New Jersey who was watching the marathon in person for the first time, inquiring about her strategy as if she were running!)

The Times’ coverage of the NYC Marathon is here (I think that’s a permalink, but I’m not sure). Some Times-ish color pieces, including this one, with a quote from a police officer at the finish line that sums it up for me:

As the runners crossed the line, often with pained expressions, one rather well-fed police officer looked on.

“Nice day to run,” it was mentioned to him.

“Nice day to watch,” he replied.

Monday, November 8th, 2004

1600 Broadway

Today’s Times takes note of the imminent demolition of the 102-year-old Studebaker Building in Times Square:

The old Studebaker Building, which rose at the dawn of the last century over Long Acre Square (better known as Times Square), is about to come down. An apartment building will probably take its place.

Built in 1902 as a showroom for Studebaker Brothers vehicles - luxurious horse-drawn carriages like the Grand Victorias, dashing Spider Phaetons, smart single-seat traps and, for the truly adventurous, those self-propelled devices called automobiles - the once elegant 10-story building at 1600 Broadway, also facing 48th Street and Seventh Avenue, served over the years as the backdrop for countless postcards and snapshots of the Great White Way.

Here’s one such postcard — the Studebaker Building is the one with the Canadian Club and Coca-Cola billboards:

Times Square Postcard

James Lileks’ site includes an old photo with the building in it — the one with the “Planters Peanuts” billboard to the left. (If you’re interested, his Times Square pages are very cool.)

I’m checking our skimpy Times Square Pages and I noticed we have this picture — hard to believe it’s the same block (it is, right?):

Looking North Towards Duffy Square, Times Square

Tuesday, November 2nd, 2004

Election Day

It took about 50 minutes to vote at the Long Island City polling place near Bridge and Tunnel Club headquarters.

The scene inside the voting booth:

New York City Voting Booth, Election Day 2004

The scene outside the polling place at about 9:15 a.m.:

Robert F. Wagner, Jr. School (P.S. 78), 48-09 Center Blvd., Hunters Point, Queens, Election Day 2004