{"id":35,"date":"2004-11-10T10:50:13","date_gmt":"2004-11-10T18:50:13","guid":{"rendered":"https:\/\/www.bridgeandtunnelclub.com\/wordpress\/archives\/2004\/11\/a_barbies_house.html"},"modified":"2008-12-20T13:59:18","modified_gmt":"2008-12-20T18:59:18","slug":"a_barbies_house","status":"publish","type":"post","link":"https:\/\/www.bridgeandtunnelclub.com\/blog\/archives\/2004\/11\/a_barbies_house.html","title":{"rendered":"A Barbie&#8217;s House"},"content":{"rendered":"<p>We saw Thomas Ostermeier&#8217;s version of Ibsen&#8217;s &#8220;A Doll&#8217;s House&#8221; (in German!) last night. It&#8217;s part of the <a href=\"https:\/\/www.bridgeandtunnelclub.com\/bigmap\/brooklyn\/fortgreene\/bam\/index.htm\">Brooklyn Academy of Music&#8217;s<\/a> Next Wave Festival.<\/p>\n<p>We were sort of surprised that they changed the play so much (thus the &#8220;Barbie House&#8221; reference above) until we saw <a href=\"http:\/\/www.nytimes.com\/2004\/11\/07\/theater\/newsandfeatures\/07kalb.html?ex=1257483600&#038;en=2aff5764623bebeb&#038;ei=5090&#038;partner=rssuserland\">this Times article<\/a> about the show, which explains that <strong>everyone<\/strong> changes the ending:<\/p>\n<blockquote><p><em>. . . [T]here was Hans Neuenfels&#8217;s 1972 &#8220;Doll&#8217;s House&#8221; in Stuttgart, in which Nora climbed back into the house through a window after her triumphal exit. In Rudolf Noelte&#8217;s 1976 production in Berlin, Torvald was reduced to a drunken weakling who wasn&#8217;t worth the trouble of leaving. In 1990 a young and unknown East German named Leander Haussmann became an overnight star with a &#8220;Doll&#8217;s House&#8221; from Weimar that ended with a comically gymnastic fight between Nora and Torvald, replete with swinging kicks from a chandelier, after which the 19th-century period set revolved to reveal modern homeless people shivering in the cold. In Karin Henkel&#8217;s 1997 production in Vienna, the couple shut themselves out of the house together at the end, continuing their marital spat beyond the slammed door. And in Stefan Kimmig&#8217;s 2003 Hamburg production, no less modernized than Mr. Ostermeier&#8217;s, Nora didn&#8217;t leave home at all but rather climbed onto her roof balcony to chain-smoke.<\/em><\/p><\/blockquote>\n<p>Who knew?<\/p>\n<p>As noted above, Berlin Schaub\u00c3\u00bchne am Lehniner Platz production is &#8220;modernized,&#8221; which means that there is really crazy loud techno music and EVERYBODY SCREAMS A LOT. Oh, and the male characters can&#8217;t stop sticking their hands up Nora&#8217;s skirt. And &#8212; shocking! &#8212; Dr. Rank also loves men! (Instead of dying of syphilis, he&#8217;s suffering from what is probably AIDS.)<\/p>\n<p>Beware that which is &#8220;crazy&#8221; or &#8220;outre,&#8221; for it is difficult to pull off. (In case you were wondering, Ivo van Hove&#8217;s version of Hedda Gabler at the New York Theatre Workshop was much better.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We saw Thomas Ostermeier&#8217;s version of Ibsen&#8217;s &#8220;A Doll&#8217;s House&#8221; (in German!) last night. It&#8217;s part of the Brooklyn Academy of Music&#8217;s Next Wave Festival. We were sort of surprised that they changed the play so much (thus the &#8220;Barbie House&#8221; reference above) until we saw this Times article about the show, which explains that [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-35","post","type-post","status-publish","format-standard","hentry","category-arts_entertainment"],"_links":{"self":[{"href":"https:\/\/www.bridgeandtunnelclub.com\/blog\/wp-json\/wp\/v2\/posts\/35","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bridgeandtunnelclub.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bridgeandtunnelclub.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bridgeandtunnelclub.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bridgeandtunnelclub.com\/blog\/wp-json\/wp\/v2\/comments?post=35"}],"version-history":[{"count":1,"href":"https:\/\/www.bridgeandtunnelclub.com\/blog\/wp-json\/wp\/v2\/posts\/35\/revisions"}],"predecessor-version":[{"id":4144,"href":"https:\/\/www.bridgeandtunnelclub.com\/blog\/wp-json\/wp\/v2\/posts\/35\/revisions\/4144"}],"wp:attachment":[{"href":"https:\/\/www.bridgeandtunnelclub.com\/blog\/wp-json\/wp\/v2\/media?parent=35"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bridgeandtunnelclub.com\/blog\/wp-json\/wp\/v2\/categories?post=35"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bridgeandtunnelclub.com\/blog\/wp-json\/wp\/v2\/tags?post=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}