{"id":687,"date":"2013-01-23T12:32:02","date_gmt":"2013-01-23T17:32:02","guid":{"rendered":"https:\/\/www.bridgeandtunnelclub.com\/slightest\/?p=687"},"modified":"2013-01-25T12:40:45","modified_gmt":"2013-01-25T17:40:45","slug":"sometimes-being-overweight-can-also-lead-to-knee-problems","status":"publish","type":"post","link":"https:\/\/www.bridgeandtunnelclub.com\/slightest\/2013\/01\/23\/sometimes-being-overweight-can-also-lead-to-knee-problems\/","title":{"rendered":"Sometimes Being Overweight Can Also Lead To Knee Problems"},"content":{"rendered":"<p>The <a href=\"https:\/\/www.bridgeandtunnelclub.com\/slightest\/2013\/01\/14\/you-had-me-at-chicken-frito-casserole\/\">other day<\/a> I either meant to say and forgot or hadn&#039;t yet mulled over the idea that the &#034;big idea&#034; in Gillian Flynn&#039;s <em>Gone Girl<\/em> is that modern lives (or recently modern, or at least in the last ten years) are so mediated that &#8212; do I need a spoiler alert here? I&#039;ll try not to have to &#8212; the, uh, main character makes the surprising and somewhat unbelievable decision that the, uh, trying not to use a pronoun, main character decides that this person can&#039;t live without the other person.<\/p>\n<p>If you look at the characters that inhabit <em>Gone<\/em> you realize that they all interact in the story through the mediated world &#8212; from the groupie using the cable show to get 15 minutes of fame to the former magazine writer protagonist to the side characters who are on Facebook. Flynn makes a point of circling back to these details and in the end (and this is a spoiler), it only makes sense that the logical end of the story is to create a reality television show. There&#039;s some stuff in the end about spinning and controlling narratives that makes sense in retrospect this way.<\/p>\n<p>As a sort of aside, it&#039;s funny that even in <a href=\"http:\/\/www.merriam-webster.com\/dictionary\/cipher\">the definition of &#034;cipher&#034;<\/a> they use the sentence &#034;She was nothing more than a cipher&#034; &#8212; I think that&#039;s the only way I&#039;ve ever heard the word used! Specifically, the &#034;nothing more than a&#034; construction . . .<\/p>\n<p>Something I really did forget to mention was that it was a smart move on Flynn&#039;s part to make the characters writers. This is something Meg Wolitzer does really well (in my opinion) in <a href=\"http:\/\/www.amazon.com\/Wife-Novel-Meg-Wolitzer\/dp\/B000CC49LC\"><em>The Wife: A Novel<\/em><\/a>. As an aside, I wonder if the colonic appendage of &#034;A Novel&#034; in titles is ever done sincerely or if it&#039;s always supposed to sound ironically pretentious and ridiculous. Anyway, (and this is also a spoiler &#8212; a real one this time) by making her first-person protagonist a writer, Wolitzer lets herself indulge in fun perceptive writing; Flynn does the same &#8212; it&#039;s a great strategy because writers seem to default to &#034;writing really perceptive fun prose&#034; and so often it sounds fucking asinine to have, say, a nine-year-old protagonist spout wonderfully perceptive ideas about the world. Maybe it&#039;s a personal failing of mine, but I find it absurd, reprehensible, vile and several other outsized, inappropriate terms when <a href=\"http:\/\/en.wikipedia.org\/wiki\/Extremely_Loud_and_Incredibly_Close#Characters\">characters<\/a> are, uh, <em>ciphers<\/em> for a pretentious writer&#039;s &#034;wonderfully big ideas.&#034; Might as well go with your strengths and just make your characters writers. Call spades spades and whatnot.<\/p>\n<p>Also, one more thing I forgot &#8212; and this came to me while washing dishes and I just spaced &#8212; was that I really wanted to title the original post &#034;If You Seek Amy.&#034; If I wrote headlines in the Book Review section, this is what I would have chosen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The other day I either meant to say and forgot or hadn&#039;t yet mulled over the idea that the &#034;big idea&#034; in Gillian Flynn&#039;s Gone Girl is that modern lives (or recently modern, or at least in the last ten years) are so mediated that &#8212; do I need a spoiler alert here? I&#039;ll try [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[266,876,875],"class_list":["post-687","post","type-post","status-publish","format-standard","hentry","category-books-are-the-suvs-of-writing","tag-book-club","tag-ciphers-large-and-small","tag-forgetting-is-either-a-sign-of-age-or-utter-laziness"],"_links":{"self":[{"href":"https:\/\/www.bridgeandtunnelclub.com\/slightest\/wp-json\/wp\/v2\/posts\/687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bridgeandtunnelclub.com\/slightest\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bridgeandtunnelclub.com\/slightest\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bridgeandtunnelclub.com\/slightest\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bridgeandtunnelclub.com\/slightest\/wp-json\/wp\/v2\/comments?post=687"}],"version-history":[{"count":3,"href":"https:\/\/www.bridgeandtunnelclub.com\/slightest\/wp-json\/wp\/v2\/posts\/687\/revisions"}],"predecessor-version":[{"id":689,"href":"https:\/\/www.bridgeandtunnelclub.com\/slightest\/wp-json\/wp\/v2\/posts\/687\/revisions\/689"}],"wp:attachment":[{"href":"https:\/\/www.bridgeandtunnelclub.com\/slightest\/wp-json\/wp\/v2\/media?parent=687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bridgeandtunnelclub.com\/slightest\/wp-json\/wp\/v2\/categories?post=687"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bridgeandtunnelclub.com\/slightest\/wp-json\/wp\/v2\/tags?post=687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}