But No One Is Cooler Than That One-Man Tango Couple . . . No One

The Sun explains the pecking order for subway musicians:

While performing in subway stations and on train platforms is legal even without an MTA-issued pass, freelancers are often forced to surrender lucrative, high-traffic spots to musicians licensed by the [Music Under New York] program, part of the MTA Arts For Transit initiative.

Competition for the good spots can get heated.

“We used to have a problem with acrobats and dancers,” Mr. [Lester] Schultz said. “There’d be 10 of them, one of us, and they could do somersaults, and they didn’t care if we had a pass. They just wouldn’t leave.”

Spats between musicians also arise when freelancers do not speak English and fail to understand why they are being forced to move along, according to other MUNY musicians.

Among subway musicians, there exists a social hierarchy underground that is invisible to daily commuters and tourists. It could be compared with a high school cafeteria, where the cool clique can scare away outsiders from a designated table with a practiced eye roll (in this case, the flash of a MUNY pass).

Subway musician Natalia Paruz, who plays the musical saw, performed as a freelancer for years until she became fed up with countless tickets from the transit police and too much time and money lost while searching for a free spot. “Sometimes I’d get to my spot and someone would already be there. I’d lose an hour just trying to find another place to play,” Ms. Paruz said. Eight years ago, she joined MUNY.

Now, Ms. Paruz performs on the high-traffic mezzanine at the Times Square station. Her lips parted slightly, it is difficult to tell whether it is she or her saw producing the eerie sound (it is, in fact, the saw that is singing).