I Would Have Had Your Pizza Delivered Sooner But I Got A Little Distracted By Some Out-Of-Work Broadway Actors . . .
Time was, streets were there to move people and things. The new, improved street makes room for mental detours, make-work programs and jazz:
Posted: April 6th, 2008 | Filed under: Architecture & InfrastructureThese street reformers — planners, architects and urban officials from around the globe — are questioning the conventional street-curb-sidewalk motif, challenging the dominance of cars, and devising ways to use street furniture, plants and even radical new vehicles to transform the experience of the street.
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Slower traffic can make for a friendlier city. But slowing traffic can be done in harsh ways: Speed bumps, traffic circles and the intentional bottlenecks known as chokers are auto-hostile tactics that do little for pedestrians. Gentler measures include tweaking the timing of traffic signals, or using what David Engwicht, an Australian traffic expert, calls “mental speed bumps” — street-side social activities that slow drivers without their knowing the foot is on the brake.
A community project called Ninth Avenue Renaissance, for example, proposes the use of on-street parking spaces on Ninth Avenue in Manhattan for barbecues and the like, adding a dose of intrigue to the street scene that will lead motorists to become curious, and slow down. “New York has these sorts of mental speed bumps,” said Mr. Kent, of the Project for Public Spaces, “but we’ve slowly degraded them by designing a more and more frictionless city for fast walkers and fast drivers.” But street-level friction, he said, is actually good.
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Converting parts of city streets to pedestrian lanes is fine, but champions of “lanescapes” go further and dress up those spaces in various imaginative ways. At Columbus Circle, for example, two lanes of Broadway could be devoted to Jazz at Lincoln Center, with bebop bands spilling into the street. At Times Square, portions of the streets could accommodate legions of out-of-work actors reliving the movie “Fame.”
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More than 10 years ago, Michael Sorkin, who is the director of the graduate urban design program at City College, proposed a plan to channel growth and to encourage a lively social scene in East New York, Brooklyn, a community with large tracts of vacant land.
First, plant a bodacious tree in the middle of an intersection, Mr. Sorkin said. Landscape the rest into a green berm, radiating coolness and quiet. “Immediately it calms the traffic in its lee,” said Mr. Sorkin, who calls his as-yet-untested idea urban acupuncture.
This greened intersection would be linked with vacant lots and pedestrian paths, creating green zones that force development toward the center and encourage pedestrians into those unscripted seductions for which the city is renowned.
“Cities are generators of accidents,” Mr. Sorkin said. “And to the degree that they are happy accidents, that’s the indicator of a good city.
“It is absolutely critical that the people on foot are at the top of the hierarchy,” Mr. Sorkin continued. “The alpha mode is the shoe.”


