A pervert with a Metro-Card and a camera likes to zoom in on the groins of male subway riders and then post his videos on the Internet, The Post has learned.

Because nothing shown on these videos isn’t already on public display and houshead7d5 is not earning money from his voyeurism, there is technically nothing criminal or actionable about his work, say attorney Rosemarie Arnold and other legal experts.

Producers are giving Park Slope the star treatment with a pilot by the same executives who brought “Sex and the City,” starring Sarah Jessica Parker, and “Melrose Place” to TV.

“It takes place in Park Slope and Park Slope is one of the characters in it. Park Slope has so much juice, just like Manhattan. It’s got a lot of pizzazz and energy.”

Philippe Petit, the French aerialist and juggler whose unauthorized 1974 tightrope walk between the Twin Towers is the subject of the documentary Man on Wire, which plays at the Tribeca Film Festival this week, doesn’t really approve of the Freedom Tower. “I stay away from politics because I am just a street juggler,” he says, “but I can tell you secretly that I am very unhappy to not have two towers being built, because I could offer to dance again — a dance of freedom, of victory, of ‘We shall not be doomed.'”

In fact, the show has resurrected the potential for scripted dramas to be effective social satire — to present a world more accurately than a “reality” program can. Gossip Girl presents a wealth-eye view of the city, but because it is a cartoon we can laugh along with the conspicuousness of the consumption. Living among the wealthy in New York is an experience of queasy ambivalence — we find their antics both mesmerizing and icky. But on Gossip Girl, we do not have to judge them, or ourselves. The show mocks our superficial fantasies while satisfying them, allowing us to partake in the over-the-top pleasures of the irresponsible superrich without anxiety or guilt or moralizing. It’s class warfare as blood sport. And, as Blair Waldorf might say, that’s entertainment.

Of all days, Jane Pollicino chose Thursday to show up for volunteer work at the Tribute WTC Visitor Center opposite ground zero. The tribute center seeks “people whose lives were profoundly changed by September 11th” to lead visitors around the site and convey the personal dimension of the story. (Mrs. Pollicino’s husband, Steve, was a trader at Cantor Fitzgerald’s office in the World Trade Center, where he died.)

Closer inspection showed a few signs taped to the fence. They said, “Film set.” This remarkable evocation turned out to be a matter of stagecraft: an art-directed simulation for a location shot in the movie “Julie and Julia,” based on a book by Julie Powell in which she sets out to make every recipe in Julia Child’s “Mastering the Art of French Cooking.” The brief scene on Church Street involves Amy Adams, as Ms. Powell, emerging from the subway and walking by the memorial-draped fence.